Gerhard Eckel's Publications


Some of the texts listed here are available in hypertext format.
For ease of navigation, the titles in these texts are links pointing back to the entries of this list. 
  1. Eckel, G., "MFLPAC: A Package of Programs for Time-Variant Filter Design", Sonological Reports, University of Utrecht, December 1985.

  2. Eckel, G., Rodet X., Potard, Y., "A SUN-MERCURY Music Workstation", Proceedings of the 13th International Computer Music Conference, pp. 159-165, Urbana, Illinois, October 1987.

  3. Eckel, G., "Contribution No. 1", PR3 Newsletter No. 2, ed. Gottfried Michael Koenig, CEM Studio, Art School of Arnhem, The Netherlands, August 1988.

  4. Eckel, G., "About PreFORM", PR3 Newsletter No. 2, ed. Gottfried Michael Koenig, CEM Studio, Art School of Arnhem, The Netherlands, August 1988.

  5. Rodet, X., Eckel, G., "Dynamic Patches: Implementation and Control in the SUN-MERCURY Workstation", Proceedings of the 14th International Computer Music Conference, Cologne, September 1988, pp. 82-89.

  6. Eckel, G., "Über Dispersion", Programmheft Konzert Cage-Projekt, Wiener Konzerthausgesellschaft, Vienna, February 1989.

  7. Eckel, G., "Ein Modell der Mehrfachverdeckung für die Analyse musikalischer Schallsignale", Ph.D. Thesis, University of Vienna, June 1989.

  8. Deutsch, W. A., Noll, A., Eckel, G., "Von der Irrelevanzschwelle zur Relevanzspektrographie", Proceedings of the 16. Gemeinschaftstagung der Deutschen Arbeitsgemeinschaft für Akustik, Vienna, March 1990, pp. 699-702.

  9. Eckel, G., "A Signal Editor for the IRCAM Musical Workstation", Proceedings of the International Computer Music Conference, Glasgow, September 1990, pp. 69-71.

  10. Deutsch, W. A., Noll, A., Eckel G., "The Perception of Audio Signals Reduced by Overmasking to the Most Prominent Spectral Amplitudes (Peaks)", Proceedings of the 92nd Convention of the Audio Engineering Society, Vienna, March 1992, pp. 129-132.

  11. Eckel, G., "Manipulation of Sound Signals Based on Graphical Representation: A Musical Point of View", Proceedings of the 1992 International Workshop on Models and Representations of Musical Signals, Capri, September 1992.

  12. Eckel, G., "La maîtrise de la synthčse sonore", Les Cahiers de l'IRCAM, recherche et musique, No. 2, Paris, January 1993.

  13. Depalle, Ph., Rodet, X., Galas, Th., Eckel, G., "Generalized Diphone Control", Proceedings of the 1993 International Computer Music Conference, Tokyo 1993.

  14. Becker, B., Eckel, G., "On the Relationship of Art and Technology in the Field of Computer Aided Composition", in: ISEA'94, 5th International Symposium on Electronic Art, Catalogue, ed. Minna Tarkka. Publication series of the University of Art and Design Helsinki UIAH, B 40.1994. Helsinki 1994, p. 68.

  15. Becker, B., Eckel, G., "Zum Verhältnis von Kunst und Technologie - dargestellt am Beispiel der zeitgenössischen Musik", in: Innovationen bei Rechen- und Kommunikationssystemen, ed. Bernd Wolfinger, Springer, Berlin 1994, pp. 488-491.

  16. Eckel, G., González-Arroyo, R., "Musically Salient Control Abstractions for Sound Synthesis", Proceedings of the 1994 International Computer Music Conference, Aarhus, September 1994, pp. 256-259.

  17. Becker, B., Eckel, G., "On the Relationship between Art and Technology in Contemporary Music", Research Report, GMD, St. Augustin 1994.

  18. Eckel, G., "Camera musica", in: Interaktive Musik, Positionen 21, ed. Gisela Nauck, Berlin 1994, pp. 25-28.

  19. Becker, B., Eckel, G., "On the Relationship between Art and Technology in Contemporary Music", E-LOGOS, Electronic Journal for Philosophy, University of Prague, Prague 1994, URL: http://nb.vse. cz/kfil/elogos/miscellany/music.htm.

  20. Eckel, G., "Organisation synthetischer Klänge", in: Material-Ton, ed. IGNM, Internationale Gesellschaft für Neue Musik, Sektion Österreich, Wien 1994, pp.20-24.

  21. Becker, B., Eckel, G., "The Use of Technology in Contemporary Music", Proceedings of the 5th International Symposium on Electronic Art, Helsinki 1994, URL: http://www.uiah.fi/.

  22. Eckel, G., "Textfragmente zu 'en face'", in: Interface II, ed. Klaus Peter Dencker, Hamburg 1995.

  23. Eckel, G., Iovino, F., Caussé, R., "Sound synthesis by physical modelling with Modalys", in: Proceedings of the International Symposium of Music Acoustics 1995, Le Normant, Dourdan 1995.

  24. Eckel, G., Rocha-Iturbide, M., Becker, B., "The development of GiST, a Granular Synthesis Toolkit Based on an Extension of the FOF Generator", Proceedings of the 1995 International Computer Music Conference, International Computer Music Association, San Francisco, 1995.

  25. Eckel, G., "About the installation of Karlheinz Essl's Lexikon-Sonate", URL: http://www.essl.at/ bibliogr/lexson-eckel.html, Banff 1995.

  26. Becker B., Eckel, G., " Künstlerische Imagination und Neue Medien. Zur Nutzung von Computersystemen in der zeitgenössischen Musik", Arbeitspapiere der GMD, No. 960, Dezember 1995, St. Augustin, 62 pages.

  27. Becker B., Eckel, G., "On the use of Computer Systems in Contemporary Music", Proceedings of the 1996 International Computer Music Conference, International Computer Music Association, San Francisco, 1996, pp. 118-120.

  28. Eckel, G., "Camera Musica: Virtual Architecture as Medium for the Exploration of Music", Proceedings of the 1996 International Computer Music Conference, International Computer Music Association, San Francisco, 1996, pp. 358-360.

  29. Eckel, G., "Modalys, Klangsynthese mit physikalischen Modellen", in: elektro-akustisch, Positionen 29, ed. Gisela Nauck, Berlin 1996, pp. 12-14.

  30. Eckel, G., "Virtuelle Architektur als Medium zur Exploration von Musik", in: Architektur/Musik, HDA Dokumente 8, ed. Ritter, R., Haberz, M., Haus der Architektur, Graz 1997, pp. 74-87.

  31. Eckel, G., " Exploring Musical Space by Means of Virtual Architecture", Proceedings of the 8th International Symposium on Electronic Art, School of the Art Institute of Chicago, Chicago 1997.

  32. Dai, P., Eckel G., Göbel, M., Hasenbrink, F., Lalioti, V., Lechner, U., Strassner, J., Tramberend, H., Wesche, G., "Virtual Spaces: VR Projection System Technologies and Applications", Tutorial Notes, Eurographics '97, Budapest 1997, 75 pages.

  33. Eckel, G., Göbel. M., Hasenbrink, F., Heiden, W., Lechner, U., Tramberend, H., Wesche, G., Wind, J., "Benches and Caves", in Bullinger, H.J., Riedel, O. (eds), Proc. 1st. Int. Immersive Projection Technology Workshop, Springer, Vienna, 1997.

  34. Eckel, G., " Technological Musical Artifacts", Proc. Int. Symposium on Music and Computers, Ionian University, Corfu, Greece, 1998.

  35. Eckel, G., "A Spatial Auditory Display for the CyberStage", Proc. 5th International Conference on Auditory Display, electronic Workshops in Computing (eWiC) series, British Computer Society and Springer, Glasgow, 1998.

  36. Eckel, G., Göbel, M., Hasenbrink, F., Heiden, W., Lechner, U., Tramberend, H., Wesche, G., Wind , J. "Benches and Caves", Proc. 1st CME Congress, Bremen, Germany, 1998.

  37. Eckel, G., Göbel, M., Hasenbrink, F., Heiden, W., Lechner, U., Tramberend, H., Wesche, G., Wind , J., "Benches and Caves", Proc. IECON'98, IEEE, 1998.

  38. Eckel, G., "Applications of the CyberStage Sound Server", Proc. of the Audio Engineering Society 16th International Conference on Spatial Sound Reproduction, Rovaniemi, Finland, 1999.

  39. Eckel, G., "Kinetic Sound Sculptures - Stele and Viola Spezzata", Proceedings of the 1999 International Computer Music Conference, International Computer Music Association, San Francisco, 1999, pp. 138-140.

  40. Eckel, G., "Issues of Sound Projection in the Viola Spezzata Project", Proceedings of the 2nd COST-G6 Workshop on Digital Audio Effects (DAFx99), December 9-11, Trondheim, Norway, 1999.

  41. Tramberend, H., Hasenbrink, F., Eckel, G., Lechner, U., "AVOCADO - The Virtual Environment Framework", ERCIM News Nr. 38, 1999.

  42. Göbel, M., Barrass, S., Eccles, J., Eckel, G., Hasenbrink, F., Lechner, U., Mostafawy, S., Toth, S., Tramberend, H., Unnützer, P., "Digital Storytelling - Creating Interactive Illusions with Avocado", ed. Hirose Tachi, Proceedings 9th International Conference on Artificial Reality and Teleexistance, 1999.

  43. Eckel, G., "Virtual Museum", in: Accomplishments in depth, period 1993-1999, ed. Gerhard Eckel & Kosta Fostiropoulos, Institute for Media Communication, internal report, pp. 202-207, GMD, Sankt Augustin, 1999.

  44. Beckhaus, S., Eckel G., Strothotte, T., "Guided Exploration in Virtual Environments", Stereoscopic Displays and Virtual Reality Systems VIII, Vol. 3957, 2001.

  45. Eckel, G., "Immersive Audio-Augmented Environments", Proceedings of the 8th Biennial Symposium on Arts and Technology at Connecticut College, New London, CT, USA, 2001.

  46. Eckel, G., "Augmenting Everyday Environments with Interactive Soundscapes", Proceedings of the Equator workshop "Moving between the physical and the digital: exploring and developing new forms of mixed reality user experiences", I3 Spring Days, April 24th, Porto, Portugal, 2001.

  47. Eckel, G.,  "The LISTEN Vision", Pre-conference Proceedings of ACM SIGGRAPH and Eurographics Campfire on Acoustic Rendering for Virtual Environments, pp. 55-58, May 26th-29th, 2001, SnowBird, Utah, USA.

  48. Eckel, G., Beckhaus, S., "ExViz: A Virtual Exhibition Design Environment", ed. Bob Fisher, Kenneth Dawson-Howe and Carol O'Sullivan, Proceedings of the International Symposium on Virtual and Augmented Architecture (VAA'01), Dublin, pp. 171-182, Springer, 2001.

  49. Eckel, G., "Immersive Audio-Augmented Environments - The LISTEN Project", ed. B. Banissi, F. Khosrowshahi, M. Sarfraz and A. Ursyn, Proceedings of the 5th International Conference on Information Visualization (IV2001), IEEE Computer Society Press, Los Alamitos, CA, USA, 2001.

  50. Eckel, G., "LISTEN: A New Multi-sensory Form of Content", Proc. of the 3rd Annual Symposium on Systems Research in the Arts Baden-Baden, Germany, 2001.

  51. Eckel, G., "The Vision of the LISTEN Project", Proceedings of the Seventh International Conference on Virtual Systems and Multimedia (VSMM'01), IEEE Computer Society, Washington, DC, USA, 2001, pp. 393-396.

  52. Eckel, G., "The LISTEN Vision", in: Beat Zoderer - Der doppelte Boden ist tiefer als man denkt, ed. Kunstmuseum Bonn, exhibition catalogue and CD, Bonn, Germany, 2003.

  53. Eckel, G., González-Arroyo, R., Rumori, M., "Once again text & parenthesis - sound synthesis with Foo", Proceedings of the 2004 Linux Audio Conference, ZKM, Karlsruhe, Germany, 2004.

  54. Warusfel, O., Eckel, G., "LISTEN - Augmenting everyday environments through interactive soundscapes", Workshop VR for Public Consumption, IEEE VR2004, Chicago, USA, 2004.

  55. Strobl, G., Eckel, G., Rocchesso, D., "Sound texture modeling: A survey", Proc. of the Sound and Music Computing Conference SMC'06, Marseille, France, 2006.

  56. Fickert, L., Eckel, G., Nagler, W., De Campo, A., Schmautzer, E., "New Development of Teaching Concepts in Multimedia Learning for Electrical Power Systems Introducing Sonification", Proceedings of the 29th ICT International Convention MIPRO 2006, Opatija, Croatia, 22.-26.5., 2006.

  57. de Campo, A., Frauenberger, C., Vogt, K., Wallisch, A., Dayé, C., Eckel, G., "Sonification as an Interdisciplinary Working Process", Proceedings of the International Conference on Auditory Display, London, UK, 2006, pp. 28-35.

  58. Eckel, G., "Audio-Augmented Reality - ein neues Medium für die Klangkunst", Sonambiente Berlin 2006, ed. Helga de la Motte-Haber et al., Kehrer, Heidelberg, Germany, 2006, pp. 348-349.

  59. Bovermann, T., Groten, J., de Campo, A., Eckel, G., "Juggling Sounds", Proceedings of the 2nd International Workshop on Interactive Sonification, York, UK, February 3, 2007.

  60. Zmölnig, J., Eckel, G., "Live Coding - An Overview", Proceedings of the International Computer Music Conference, Copenhagen, DK, August 2007.

  61. Vogt, K., Plessas, W., de Campo, A., Frauenberger, Ch., Eckel, G. "Sonification of Spin Models: Listening to Phase Transitions in the Ising and Potts Model", Proceedings of the International Conference on Auditory Display, Montreal, Canada, 2007, pp. 258-265.

  62. Frauenberger, Ch., de Campo, A., Eckel, G. "Analysing Time Series Data", Proceedings of the International Conference on Auditory Display, Montreal, Canada, 2007, pp. 504-508.

  63. de Campo, A., Höldrich, R., Eckel, G., Wallisch, A., "New Sonification Tools for EEG Data Screening and Monitoring", Proceedings of the International Conference on Auditory Display, Montreal, Canada, 2007, pp. 536-542.

  64. Vogt, K., de Campo, A., Eckel, G., "An Introduction to Sonification and its Application to Theoretical Physics", Proceedings of the 3rd Congress of the Alps Adria Acoustics Association, Graz, Austria, 2007.

  65. Rocchesso, D., Serafin, S., Behrendt, F., Bernardini, N., Bresin, R., Eckel, G., Franinovic, K., Hermann, T., Pauletto, S., Susini, P., Visell, Y., "Sonic interaction design: sound, information and experience", CHI '08: CHI '08 extended abstracts on Human factors in computing systems, ACM, NY, 2008, pp. 3969-3972.

  66. Hofstätter, B., Eckel, G., Gasteiger, B., Griesser, H., Thaler, A., Weitlaner, U., Wächter, Ch., Zorn, I. "Engineer Your Sound - Partizipative Technikgestaltung im Klassenzimmer", in: Soziale Technik 1/2009, pp. 17-19.

  67. Vogt, K., Pirrň, D., Kobenz, I., Höldrich, R., Eckel, G., "PhysioSonic - movement sonification as auditory feedback", Proceedings of the International Conference on Auditory Display, Copenhagen, Danmark, 2009, pp. 161-167.

  68. Saranti, A., Pirrň, D., Eckel, G., "Quantum Harmonic Oscillator Sonification", Proceedings of the International Conference on Auditory Display, Copenhagen, Danmark, 2009.

  69. Eckel, G., Pirrň, D., Sharma, G.K., "Motion- Enabled Live Electronics", ed. Fabien Gouyon, Álvaro Barbosa, and Xavier Serra, Proceedings of the 6th Sound and Music Computing Conference, Porto, Portugal, 2009, pp. 36-41.

  70. Eckel, G., Pirrň, D., "On Artistic Research in the Context of the Project Embodied Generative Music", Proceedings of the International Computer Music Conference, Montreal, Canada, August, 2009, pp. 541-544.

  71. Saranti, A., Pirrň, D., Eckel, G., "Sonification of a Quantum Mechanical System inspired by a Quantum Computation Model", Proceedings of the Second International Conference of Students of Systematic Musicology, Ghent, Belgium, 2009, pp. 7-12.

  72. Eckel, G., "Working in the Aeshetic Lab", Extended abstract (online), Sensuous Knowledge Conference, Bergen, 2009.

  73. Balazs, P., Laback, B., Eckel, G., Deutsch, W.A., "Time-Frequency Sparsity by Removing Perceptually Irrelevant Components Using a Simple Model of Simultaneous Masking", IEEE Transactions on Audio, Speech and Language Processing, Vol. 18/1, 2010, pp. 34-49.

  74. Schmitt-Kopplin, Ph., Gabelica, Z., Gougeon, R.D., Fekete, A., Kanawati, B., Harir, M., Gebefuegi, I., Eckel, G., Hertkorn, N., "High molecular diversity of extraterrestrial organic matter in Murchison meteorite revealed 40 years after its fall", PNAS, Feb. 16, 2010, Vol. 107, No. 7, pp. 2763-2768.

  75. Eckel, G., "Vom Bewohnen der Musik", in: Embodiment, Positionen 83, ed. Gisela Nauck, Berlin, Mai 2010, pp. 12-15.

  76. Vogt, K., Pirrň, D., Kobenz, I., Höldrich, R., Eckel, G., "PhysioSonic - Evaluated Movement Sonification as Auditory Feedback in Physiotherapy", in: Auditory Display, 6th International Symposium, CMMR/ICAD 2009 (revised papers), Lecture Notes in Computer Science (LNCS 5954), ed. Solvi Ystad, Mitsuko Aramaki, Richard Kronland-Martinet, and Kristoffer Jensen, Springer, 2010, pp. 103-120.

  77. Rutz, H., Miranda, E., Eckel, G., "On the Traceability of the Compositional Process", Proceedings of the 7th Sound and Music Computing Conference, Barcelona, Spain, 2010

  78. Niemueller, T., Ferrein, A., Eckel, G., Pirrň, D., Podbregar, P., Kellner, T., Rath, Ch., Steinbauer, G., "Providing Ground-truth Data for the Nao Robot Platform", RoboCup Symposium 2010, 25/06/2010, Singapore, 2010

  79. Eckel, G., "Texturen, Multiple, 2008", in: On Listening, Performance Research, Vol. 15, No. 3, Routledge, September 2010, pp. 72-73.

  80. Pirrň, D., Eckel, G., "Physical modelling enabling enaction: an example", Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), Oslo, 2011, pp. 461-464.

  81. Rutz, H.H., Miranda, E., Eckel, G., "Reproducibility and Random Access in Sound Synthesis", Proceedings of the International Computer Music Conference (ICMC), Huddersfield, UK, 2011.

  82. Dombois, F., Eckel, G., "Audification", in: The Sonification Handbook, ed. Th. Hermann, A. Hunt & G. Neuhoff, Logos, Berlin, 2011, pp. 301-324.

  83. Eckel, G., "Embodied Generative Music", in: Bodily Expression in Electronic Music: Perspectives on Reclaiming Performativity, eds. Deniz Peters, Gerhard Eckel and Andreas Dorschel, Routledge, New York & London, 2012, pp. 141-151.

  84. Eckel, G., Rumori, M., Pirrň, D., González-Arroyo, R., "A Framework for the Choreography of Sound", Proceedings of the International Computer Music Conference (ICMC), Ljubljana, Slovenia, 2012, pp. 504-511.

  85. Eckel, G., "Improvisation as Epistemic Practice", (re)thinking improvisation - Artistic explorations and conceptual writing, eds. Henrik Frisk and Stefan Österjö, Malmö Academy of Music, Lund University, Malmö, Sweden, 2013, pp. 42-47.

  86. Eckel, G., Rumori, M., "StiffNeck: The Electroacoustic Music Performance Venue in a Box", Proceedings of the International Computer Music Conference (ICMC), Athens, Greece, 2014, pp. 542-546.

  87. Eckel, G.,"Konzertsaal", in: Künstlerische Forschung, Ein Handbuch, (ed.) Jens Badura, Selma Dubach, Anke Haarmann, Dieter Mersch, Anton Rey, Christoph Schenker, and Germán Toro Pérez, Diaphanes, Zürich-Berlin, 2015, pp. 307-310.

  88. Eckel, G., "Zeitraum", PARSE - Journal of Art and Research, Issue #4, Nov. 2016, University of Gothenburg, Sweden.

  89. Eckel, G., "Zeitraum Online", PARSE - Journal of Art and Research, Issue #4, Nov. 2016, University of Gothenburg, Sweden.