Gerhard
Eckel's Publications
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- Eckel, G., "MFLPAC: A Package of Programs for
Time-Variant Filter Design", Sonological Reports, University of Utrecht,
December 1985.
- Eckel, G., Rodet X.,
Potard, Y.,
"A
SUN-MERCURY Music Workstation", Proceedings of the 13th
International Computer Music Conference, pp. 159-165, Urbana, Illinois,
October 1987.
- Eckel, G.,
"Contribution No. 1", PR3
Newsletter No. 2, ed. Gottfried Michael Koenig, CEM Studio, Art School
of Arnhem, The Netherlands, August 1988.
- Eckel, G.,
"About PreFORM", PR3 Newsletter
No. 2, ed. Gottfried Michael Koenig, CEM Studio, Art School of Arnhem,
The Netherlands, August 1988.
- Rodet, X., Eckel, G.,
"Dynamic
Patches: Implementation and Control in the SUN-MERCURY Workstation", Proceedings
of the 14th International Computer Music Conference, Cologne, September
1988, pp. 82-89.
- Eckel, G., "Über
Dispersion", Programmheft Konzert Cage-Projekt, Wiener
Konzerthausgesellschaft, Vienna, February 1989.
- Eckel, G., "Ein Modell der Mehrfachverdeckung
für die Analyse musikalischer Schallsignale", Ph.D. Thesis, University
of Vienna, June 1989.
- Deutsch, W. A., Noll, A., Eckel, G., "Von
der Irrelevanzschwelle zur Relevanzspektrographie", Proceedings of the
16. Gemeinschaftstagung der Deutschen Arbeitsgemeinschaft für Akustik,
Vienna, March 1990, pp. 699-702.
- Eckel, G., "A Signal Editor
for the IRCAM Musical Workstation", Proceedings of the International
Computer Music Conference, Glasgow, September 1990, pp. 69-71.
- Deutsch, W. A., Noll, A., Eckel G.,
"The
Perception of Audio Signals Reduced by Overmasking to the Most Prominent
Spectral Amplitudes (Peaks)", Proceedings of the 92nd Convention of the
Audio Engineering Society, Vienna, March 1992, pp. 129-132.
- Eckel, G., "Manipulation of
Sound Signals Based on Graphical Representation: A Musical Point of
View", Proceedings of the 1992 International Workshop on Models and
Representations of Musical Signals, Capri, September 1992.
- Eckel, G., "La maîtrise de la
synthčse sonore", Les Cahiers de l'IRCAM, recherche et musique, No.
2, Paris, January 1993.
- Depalle, Ph., Rodet, X., Galas, Th., Eckel, G.,
"Generalized
Diphone Control", Proceedings of the 1993 International
Computer Music Conference, Tokyo 1993.
- Becker, B., Eckel, G., "On the
Relationship of Art and Technology in the Field of Computer Aided
Composition", in: ISEA'94, 5th International Symposium on Electronic
Art, Catalogue, ed. Minna Tarkka. Publication series of the University
of Art and Design Helsinki UIAH, B 40.1994. Helsinki 1994, p. 68.
- Becker, B., Eckel, G., "Zum Verhältnis
von Kunst und Technologie - dargestellt am Beispiel der zeitgenössischen
Musik", in: Innovationen bei Rechen- und Kommunikationssystemen, ed.
Bernd Wolfinger, Springer, Berlin 1994, pp. 488-491.
- Eckel, G., González-Arroyo, R., "Musically Salient
Control Abstractions for Sound Synthesis", Proceedings of the 1994
International Computer Music Conference, Aarhus, September 1994, pp.
256-259.
- Becker, B., Eckel, G., "On the
Relationship between Art and Technology in Contemporary Music",
Research Report, GMD, St. Augustin 1994.
- Eckel, G., "Camera
musica", in: Interaktive Musik, Positionen 21, ed. Gisela Nauck,
Berlin 1994, pp. 25-28.
- Becker, B., Eckel, G., "On the Relationship
between Art and Technology in Contemporary Music", E-LOGOS, Electronic
Journal for Philosophy, University of Prague, Prague 1994, URL: http://nb.vse.
cz/kfil/elogos/miscellany/music.htm.
- Eckel, G., "Organisation synthetischer
Klänge", in: Material-Ton, ed. IGNM, Internationale Gesellschaft für
Neue Musik, Sektion Österreich, Wien 1994, pp.20-24.
- Becker, B., Eckel, G., "The Use of
Technology in Contemporary Music", Proceedings of the 5th
International Symposium on Electronic Art, Helsinki 1994, URL: http://www.uiah.fi/.
- Eckel, G., "Textfragmente zu
'en face'", in: Interface II, ed. Klaus Peter Dencker, Hamburg
1995.
- Eckel, G., Iovino, F., Caussé, R., "Sound synthesis
by physical modelling with Modalys", in: Proceedings of the
International Symposium of Music Acoustics 1995, Le Normant, Dourdan
1995.
- Eckel, G., Rocha-Iturbide, M., Becker, B.,
"The
development of GiST, a Granular Synthesis Toolkit Based on an Extension
of the FOF Generator", Proceedings of the 1995 International
Computer Music Conference, International Computer Music Association, San
Francisco, 1995.
- Eckel, G., "About the
installation of Karlheinz Essl's Lexikon-Sonate", URL: http://www.essl.at/
bibliogr/lexson-eckel.html, Banff 1995.
- Becker B., Eckel, G., "
Künstlerische Imagination und Neue Medien. Zur Nutzung von
Computersystemen in der zeitgenössischen Musik", Arbeitspapiere der
GMD, No. 960, Dezember 1995, St. Augustin, 62 pages.
- Becker B., Eckel, G., "On the use of
Computer Systems in Contemporary Music", Proceedings of the 1996
International Computer Music Conference, International Computer Music
Association, San Francisco, 1996, pp. 118-120.
- Eckel, G., "Camera Musica:
Virtual Architecture as Medium for the Exploration of Music",
Proceedings of the 1996 International Computer Music Conference,
International Computer Music Association, San Francisco, 1996, pp.
358-360.
- Eckel, G., "Modalys, Klangsynthese mit
physikalischen Modellen", in: elektro-akustisch, Positionen 29, ed.
Gisela Nauck, Berlin 1996, pp. 12-14.
- Eckel, G., "Virtuelle Architektur als Medium
zur Exploration von Musik", in: Architektur/Musik, HDA Dokumente 8, ed.
Ritter, R., Haberz, M., Haus der Architektur, Graz 1997, pp. 74-87.
- Eckel, G., "
Exploring Musical Space by Means of Virtual Architecture",
Proceedings of the 8th International Symposium on Electronic Art, School
of the Art Institute of Chicago, Chicago 1997.
- Dai, P., Eckel G., Göbel, M., Hasenbrink, F.,
Lalioti, V., Lechner, U., Strassner, J., Tramberend, H., Wesche, G., "Virtual
Spaces: VR Projection System Technologies and Applications",
Tutorial Notes, Eurographics '97, Budapest 1997, 75 pages.
- Eckel, G., Göbel. M., Hasenbrink, F., Heiden,
W., Lechner, U., Tramberend, H., Wesche, G., Wind, J., "Benches and
Caves", in Bullinger, H.J., Riedel, O. (eds), Proc. 1st. Int. Immersive
Projection Technology Workshop, Springer, Vienna, 1997.
- Eckel, G., "
Technological Musical Artifacts", Proc. Int. Symposium on Music and
Computers, Ionian University, Corfu, Greece, 1998.
- Eckel, G., "A Spatial Auditory Display for
the CyberStage", Proc. 5th International Conference on Auditory Display,
electronic Workshops in Computing (eWiC) series, British
Computer Society and Springer, Glasgow, 1998.
- Eckel, G., Göbel, M., Hasenbrink, F., Heiden,
W., Lechner, U., Tramberend, H., Wesche, G., Wind , J. "Benches and
Caves", Proc. 1st CME Congress, Bremen, Germany, 1998.
- Eckel, G., Göbel, M., Hasenbrink, F., Heiden,
W., Lechner, U., Tramberend, H., Wesche, G., Wind , J.,
"Benches
and Caves", Proc. IECON'98, IEEE, 1998.
- Eckel, G.,
"Applications
of the CyberStage Sound Server", Proc. of the Audio Engineering Society 16th International
Conference on Spatial Sound Reproduction, Rovaniemi, Finland, 1999.
- Eckel, G.,
"Kinetic
Sound Sculptures - Stele and Viola Spezzata", Proceedings of the 1999 International Computer
Music Conference, International Computer Music Association, San
Francisco, 1999, pp. 138-140.
- Eckel, G., "Issues
of Sound Projection in the Viola Spezzata Project", Proceedings of
the 2nd COST-G6 Workshop on Digital Audio Effects (DAFx99), December
9-11, Trondheim, Norway, 1999.
- Tramberend, H., Hasenbrink, F., Eckel, G.,
Lechner, U., "AVOCADO - The Virtual Environment Framework", ERCIM News
Nr. 38, 1999.
- Göbel, M., Barrass, S., Eccles, J., Eckel,
G., Hasenbrink, F., Lechner, U., Mostafawy, S., Toth, S., Tramberend,
H., Unnützer, P.,
"Digital
Storytelling - Creating Interactive Illusions with Avocado", ed. Hirose Tachi, Proceedings 9th International
Conference on Artificial Reality and Teleexistance, 1999.
- Eckel, G., "Virtual Museum", in:
Accomplishments in depth, period 1993-1999, ed. Gerhard Eckel &
Kosta Fostiropoulos, Institute for Media Communication, internal report,
pp. 202-207, GMD, Sankt Augustin, 1999.
- Beckhaus, S., Eckel G., Strothotte, T.,
"Guided
Exploration in Virtual Environments", Stereoscopic Displays and
Virtual Reality Systems VIII, Vol. 3957, 2001.
- Eckel, G., "Immersive
Audio-Augmented Environments", Proceedings of the 8th Biennial
Symposium on Arts and Technology at Connecticut College, New London, CT,
USA, 2001.
- Eckel, G., "Augmenting Everyday Environments
with Interactive Soundscapes", Proceedings of the Equator workshop
"Moving between the physical and the digital: exploring and developing
new forms of mixed reality user experiences", I3 Spring Days, April
24th, Porto, Portugal, 2001.
- Eckel, G., "The LISTEN Vision",
Pre-conference Proceedings of ACM SIGGRAPH and Eurographics Campfire on
Acoustic Rendering for Virtual Environments, pp. 55-58, May 26th-29th,
2001, SnowBird, Utah, USA.
- Eckel, G., Beckhaus, S.,
"ExViz:
A Virtual Exhibition Design Environment", ed. Bob Fisher, Kenneth Dawson-Howe and
Carol O'Sullivan, Proceedings of the International Symposium on Virtual
and Augmented Architecture (VAA'01), Dublin, pp. 171-182, Springer,
2001.
- Eckel, G.,
"Immersive
Audio-Augmented Environments - The LISTEN Project", ed. B. Banissi, F. Khosrowshahi, M.
Sarfraz and A. Ursyn, Proceedings of the 5th International Conference on
Information Visualization (IV2001), IEEE Computer Society Press, Los
Alamitos, CA, USA, 2001.
- Eckel, G., "LISTEN: A New Multi-sensory Form
of Content", Proc. of the 3rd Annual Symposium on Systems Research in
the Arts Baden-Baden, Germany, 2001.
- Eckel, G.,
"The
Vision of the LISTEN Project", Proceedings of the Seventh International Conference on Virtual
Systems and Multimedia (VSMM'01), IEEE Computer Society, Washington, DC,
USA, 2001, pp. 393-396.
- Eckel, G.,
"The LISTEN Vision", in: Beat
Zoderer - Der doppelte Boden ist tiefer als man denkt, ed. Kunstmuseum
Bonn, exhibition catalogue and CD, Bonn, Germany, 2003.
- Eckel, G., González-Arroyo, R., Rumori, M.,
"Once
again text & parenthesis - sound synthesis with Foo",
Proceedings of the 2004 Linux Audio Conference, ZKM, Karlsruhe, Germany,
2004.
- Warusfel, O., Eckel, G.,
"LISTEN
- Augmenting everyday environments through interactive soundscapes",
Workshop VR for Public Consumption, IEEE VR2004, Chicago, USA,
2004.
- Strobl, G., Eckel, G., Rocchesso, D.,
"Sound
texture modeling: A survey", Proc. of the Sound and Music Computing
Conference SMC'06, Marseille, France, 2006.
- Fickert, L., Eckel,
G., Nagler, W., De Campo, A., Schmautzer, E., "New Development of
Teaching Concepts in Multimedia Learning for Electrical Power Systems
Introducing Sonification", Proceedings of the 29th ICT International
Convention MIPRO 2006, Opatija, Croatia, 22.-26.5., 2006.
- de Campo, A.,
Frauenberger, C., Vogt, K., Wallisch, A., Dayé, C., Eckel, G.,
"Sonification
as an Interdisciplinary Working Process", Proceedings of
the International Conference on Auditory Display, London, UK, 2006, pp.
28-35.
- Eckel, G.,
"Audio-Augmented
Reality - ein neues Medium für die Klangkunst",
Sonambiente Berlin 2006, ed. Helga de la Motte-Haber et al., Kehrer,
Heidelberg, Germany, 2006, pp. 348-349.
- Bovermann, T., Groten,
J., de Campo, A., Eckel, G.,
"Juggling
Sounds", Proceedings of the 2nd
International Workshop on Interactive Sonification, York, UK, February
3, 2007.
- Zmölnig, J., Eckel, G.,
"Live
Coding - An Overview", Proceedings of the International
Computer Music Conference, Copenhagen, DK, August 2007.
- Vogt, K., Plessas, W.,
de Campo, A., Frauenberger, Ch., Eckel, G. "Sonification of Spin
Models: Listening to Phase Transitions in the Ising and Potts
Model", Proceedings of the International Conference on Auditory
Display, Montreal, Canada, 2007, pp. 258-265.
- Frauenberger, Ch., de
Campo, A., Eckel, G.
"Analysing
Time Series Data", Proceedings of the
International Conference on Auditory Display, Montreal, Canada, 2007,
pp. 504-508.
- de Campo, A.,
Höldrich, R., Eckel, G., Wallisch, A.,
"New
Sonification Tools for EEG Data Screening and Monitoring", Proceedings of the International
Conference on Auditory Display, Montreal, Canada, 2007, pp.
536-542.
- Vogt, K., de Campo,
A., Eckel, G.,
"An
Introduction to Sonification and its Application to Theoretical Physics",
Proceedings of the 3rd Congress of the Alps Adria
Acoustics Association, Graz, Austria, 2007.
- Rocchesso, D.,
Serafin, S., Behrendt, F., Bernardini, N., Bresin, R., Eckel, G.,
Franinovic, K., Hermann, T., Pauletto, S., Susini, P., Visell, Y.,
"Sonic interaction design:
sound, information and experience", CHI '08:
CHI '08 extended abstracts on Human factors in computing systems, ACM,
NY, 2008, pp. 3969-3972.
- Hofstätter, B., Eckel,
G., Gasteiger, B., Griesser, H., Thaler, A., Weitlaner, U., Wächter,
Ch., Zorn, I.
"Engineer
Your Sound - Partizipative Technikgestaltung im
Klassenzimmer", in: Soziale Technik 1/2009, pp. 17-19.
- Vogt, K., Pirrň, D.,
Kobenz, I., Höldrich, R., Eckel, G.,
"PhysioSonic
- movement sonification as auditory feedback", Proceedings of the International
Conference on Auditory Display, Copenhagen, Danmark, 2009, pp.
161-167.
- Saranti, A., Pirrň,
D., Eckel, G.,
"Quantum
Harmonic Oscillator Sonification", Proceedings
of the International Conference on Auditory Display, Copenhagen,
Danmark, 2009.
- Eckel, G., Pirrň, D.,
Sharma, G.K., "Motion-
Enabled Live Electronics", ed. Fabien Gouyon, Álvaro Barbosa, and
Xavier Serra, Proceedings of the 6th Sound and Music Computing
Conference, Porto, Portugal, 2009, pp. 36-41.
- Eckel, G., Pirrň, D.,
"On Artistic Research in
the Context of the Project Embodied Generative Music", Proceedings of
the International Computer Music Conference, Montreal, Canada, August,
2009, pp. 541-544.
- Saranti, A., Pirrň,
D., Eckel, G., "Sonification of a Quantum Mechanical System inspired by
a Quantum Computation Model", Proceedings of the Second International Conference of Students of
Systematic Musicology, Ghent, Belgium, 2009, pp. 7-12.
- Eckel, G., "Working in the Aeshetic Lab", Extended abstract (online), Sensuous
Knowledge Conference, Bergen, 2009.
- Balazs, P., Laback, B., Eckel, G., Deutsch, W.A.,
"Time-Frequency
Sparsity by Removing Perceptually Irrelevant Components
Using a Simple Model of Simultaneous Masking", IEEE Transactions on
Audio, Speech and Language Processing, Vol. 18/1, 2010, pp. 34-49.
- Schmitt-Kopplin, Ph.,
Gabelica, Z., Gougeon, R.D., Fekete, A., Kanawati, B., Harir, M.,
Gebefuegi, I., Eckel, G., Hertkorn, N.,
"High molecular diversity of
extraterrestrial organic matter in Murchison meteorite revealed 40 years
after its fall", PNAS, Feb. 16, 2010, Vol. 107, No. 7, pp. 2763-2768.
- Eckel, G.,
"Vom
Bewohnen der Musik", in: Embodiment, Positionen 83, ed. Gisela Nauck,
Berlin, Mai 2010, pp. 12-15.
- Vogt, K., Pirrň, D., Kobenz, I., Höldrich, R.,
Eckel, G.,
"PhysioSonic
- Evaluated Movement Sonification as Auditory Feedback in Physiotherapy", in: Auditory Display, 6th International
Symposium, CMMR/ICAD 2009 (revised papers), Lecture Notes in Computer
Science (LNCS 5954), ed. Solvi Ystad, Mitsuko Aramaki, Richard
Kronland-Martinet, and Kristoffer Jensen, Springer, 2010, pp.
103-120.
- Rutz, H., Miranda, E.,
Eckel, G., "On the
Traceability of the Compositional Process", Proceedings of the 7th
Sound and Music Computing Conference, Barcelona, Spain, 2010
- Niemueller, T., Ferrein, A., Eckel, G., Pirrň,
D., Podbregar, P., Kellner, T., Rath, Ch., Steinbauer, G.,
"Providing
Ground-truth Data for the Nao Robot Platform", RoboCup Symposium 2010,
25/06/2010, Singapore, 2010
- Eckel, G.,
"Texturen,
Multiple, 2008", in: On Listening, Performance Research, Vol. 15, No. 3, Routledge,
September 2010, pp. 72-73.
- Pirrň, D., Eckel, G.,
"Physical
modelling enabling enaction: an example", Proceedings of the
International Conference on New Interfaces for Musical Expression
(NIME), Oslo, 2011, pp. 461-464.
- Rutz, H.H., Miranda, E., Eckel, G., "Reproducibility and Random Access in Sound Synthesis", Proceedings
of the International Computer Music Conference (ICMC), Huddersfield, UK,
2011.
- Dombois, F., Eckel, G., "Audification", in:
The Sonification
Handbook, ed. Th. Hermann, A. Hunt & G. Neuhoff, Logos, Berlin,
2011, pp. 301-324.
- Eckel, G., "Embodied Generative Music", in:
Bodily Expression in Electronic Music: Perspectives on Reclaiming
Performativity, eds. Deniz Peters, Gerhard Eckel and Andreas
Dorschel, Routledge, New York & London, 2012, pp. 141-151.
- Eckel, G., Rumori, M., Pirrň, D.,
González-Arroyo, R., "A Framework for
the Choreography of Sound", Proceedings of the International
Computer Music Conference (ICMC), Ljubljana, Slovenia, 2012, pp.
504-511.
- Eckel, G., "Improvisation as Epistemic Practice", (re)thinking
improvisation - Artistic explorations and conceptual writing, eds.
Henrik Frisk and Stefan Österjö, Malmö Academy of Music, Lund
University, Malmö, Sweden, 2013, pp. 42-47.
- Eckel, G., Rumori, M., "StiffNeck: The
Electroacoustic Music Performance Venue in a Box", Proceedings of
the International Computer Music Conference (ICMC), Athens, Greece,
2014, pp. 542-546.
- Eckel, G.,"Konzertsaal", in:
Künstlerische Forschung, Ein Handbuch,
(ed.) Jens Badura, Selma Dubach, Anke Haarmann, Dieter Mersch, Anton Rey, Christoph Schenker, and Germán Toro Pérez,
Diaphanes, Zürich-Berlin, 2015, pp. 307-310.
- Eckel, G., "Zeitraum",
PARSE - Journal of Art and Research, Issue #4, Nov. 2016, University of Gothenburg, Sweden.
- Eckel, G., "Zeitraum Online",
PARSE - Journal of Art and Research, Issue #4, Nov. 2016, University of Gothenburg, Sweden.
- Rumori, M., Pirrň, D., Eckel, G., "Stop challenging technology! Towards content-based audio production",
Proceedings of the 4th International Conference on Spatial Audio, VDT&IEM, Graz, Sept. 2017, pp. 24-28.
- Eckel, G., Schwab, M., Pirrň, D., "Da.ta (Transpositions)", MER. Paper Kunsthalle, Oct. 2017, Ghent, Belgium.
- Eckel, G., "The voice in computer music composition", in:
The Oxford Handbook of Singing,
(ed.) by Graham F. Welch, David M. Howard, and John Nix; chapter
Future Perspectives,
Oxford University Press, Apr. 2019, pp. 1091-1093.
- Elblaus, L., Eckel, G., "utruchirp: an impulse response measurement and auralisation tool developed for artistic practice",
in: Proceedings of the 15th International Conference on Audio Mostly, Sep. 2020, pp. 61-68.
- Elblaus, L., Eckel, G., "Acoustic modelling as a strategy for composing site-specific music",
in: Proceedings of the 15th International Conference on Audio Mostly, Sep. 2020, pp. 69-76.
- Eckel, G., "Künstliche Ohren", in: K.O.P.F., Kartografisch Orientierte Passagen Fragmente, ed. Karlheinz Essl & Erwin Uhrmann, Limbus Verlag, Innsbruck, Oct. 2021, pp. 83-97.
- Eckel, G., "Das Geräusch der Ameisenstrasse", in: K.O.P.F., Kartografisch Orientierte Passagen Fragmente, ed. Karlheinz Essl & Erwin Uhrmann, Limbus Verlag, Innsbruck, Oct. 2021, pp. 127-135.